To say that Bill Summers is a percussionist is like saying a Steinway is a piano: the noun conveys none of the history and quality of the owner of the title. Summers is a musician of the highest order, playing anything from traditional African instruments to pop bottles, and a cultural visionary who brings diverse people and ideas together. Whether working with Quincy Jones on the musical score for Roots, or the soundtrack to The Color Purple, or interpreting the music of the holiday Kwanza, Summers is cognizant of his heritage and its many contributions to world culture. Witness how Summers brought together Kim Provost and Bill Solley, winners of the 1999 BET Jazz Discovery Competition. The duo made their acquaintance at one of Summers’ late-night sessions and, recognizing their alchemy, Summers asked them to join his Summer’s Heat tour.

Late-night sessions at the Summers residence resulted in the 1998 formation of Los Hombres Calientes, an overnight sensation in New Orleans and then the world. Los Hombres Calientes tore the roof off Snug Harbor, the House of Blues, and ignited the stage at the New Orleans Jazz and Heritage Festival with its searing dance music, and have produced four CDs.

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