Every culture and religion has prophecies that concern future catastrophe and/or Earth renewal and rebirth. Maybe these are meant to be fate that is written in the stars, or mere warnings about possible futures. The Mayan date of 2012 has brought the discussion to the forefront of many peoples thoughts. Wether it is nuclear fallout from Fukushima, global warming, solar flares, pole-shifts, economic melt-down or political unrest, the “doom and gloom” predictions seem to take spotlight over the more positive notions of renewal. No matter what you believe, it is clear that we are in a time of uncertainty and unprecedented change. The White Buffalo Prophecy, handed down for 19 generations within the Lakota Tradition, has continued to unfold in magical ways that paint a positive future for humanity.
In 1994 Alison “Tootie” Montana, a prominent Black Indian Chief from New Orleans, had a vision of bringing together many tribes to celebrate their shared history. David Carson, Choctaw author of “Medicine Cards” and Kam Nightchase, a Lakota Pipe-Carrier also shared a similar vision. Reverend David “Goat” Carson of New Orleans led the organizational effort to make this vision a reality at Congo Square in Louis Armstrong Park. The gathering was called “Sacred Medicine Circle at High Noon” on Aug. 20, 1994.
Black Indians are descendants of slaves who inter-married with local indian tribes, as noted by the scholar William Loren Katz. Indians would raid plantations, free the slaves and escape into the swamps where they shared and mixed their cultures. This union was clearly seen as a threat to the colonists, who did their best to stomp out the resistance and make sure the history of it was also erased.
Congo Square, located in the Treme Neighborhood in New Orleans, was a place where slaves and free people of color gathered to drum, dance and trade on Sundays. The dance, with origins in Africa and throughout the Caribbean, is called the Calinda and is said to invoke the ancestors. Local American Indians had a prophecy that their ancestors would one day return with songs and dances to heal the nations of the world and the slaves were seen as the fulfillment of this prophecy. The coming together of African poly-rhythms with the Native America pow-wow drum birthed the blues, jazz, rock ‘n’ roll and hip-hop.